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>> Atem

 

*

 

„It is unlikely that, say, Halliburton

would try to boost its image

by using a street-artsy campaign.“

 

>>> Please introduce yourself ...

Being born and raised in Germany I am of South-Korean origin.

In 1998, I started a long-term artistic endeavor by focusing on

the typographic deconstruction and abstraction of the name

and letter-combination ATEM, which means “Breath” in German.

I have been painting ATEM ever since.

Fortunately, this everlasting and quite intensive preoccupation

with the ATEM-Name-Letter-Writing-Project, as I tend to call it, makes me

in turn eligible for the mysterious society of super-class-a-graffitists.

In 2006 I attained a Master of Science (M.Sc.) degree in

International Business Studies at the University of Maastricht, Netherlands.

However, I eventually realized that I had to focus my whole professional

efforts on being a graffitist and artist in order to do justice

to my own expectations in terms of output-related competence

craftsmanship, and knowledge. Ever since I participated in numerous

exhibitions and painted commissioned works.

 

>>> Your style of work ...

My most recent paintings are primarily about the movement and energy

of letters - most of the time as dynamic ATEM-letter-abstractions.

For the last couple of years, I found that the center of any ATEM-piece

tended to be the letter T due to its strong symmetry, which I really like

and appreciate. That is why I started to paint the T in isolation from

the other letters in order to explore its impact alone.

Another quite recent line of drawings tends to focus more on the symbolic

and literal meaning of self-devised wordplays, truisms, poems or slogans.

 

>>> Typography is ...

…the artistic deconstruction and redesigning of letters.

 

>>> How do you feel about an ever-growing interest and commercial

exploitation of the street art phenomenon as new pop culture ?

I like high quality urban art in all its different manifestations –

almost no matter where the work is to be located

within the still-real-and-underground or commercial-hence-inherently-sellout continuum.

Nevertheless, there are indeed more disputable artistic endeavors

thinkable such as works commissioned by the weapons industry

for example (but it is also unlikely that, say, Halliburton would try to

boost its image by using a street-artsy campaign, eh?).

However, taking the fact into account that recruitment for the military

is targeted mainly at young people, it is not that unthinkable at all.

 

>>> Which cooperation or project really sticked out ?

 

Last year in August, I was able to take a trip to Seoul, Republic of Korea,

for the first time in 13 years. Painting there with Korean artists

was a great experience and felt a little bit like a difficult but long-awaited

homecoming.

Also to further understand and appreciate the beauty of the Korean

writing-system (called Hangeul) as opposed to the Latin writing-system

in use in Germany was enlightening and motivating, which also led to some

nice graffiti-wall-productions in Seoul with Korean graffitists such as

Mogi and the JNJ-Crew.

 

>>> Do you see your art as universal, as globally understandable ?

The style within my typographic works should be globally understandable,

insofar as the deconstruction and abstraction of each element of the letters

can be logically reconstructed by the viewer.

No matter how abstract and detailed a certain letter or word appears,

there should always exist some underlying logic and aesthetic idea

behind every element of the painting. The only requirement for this is

an understanding of the writing-system in use.

 

>>> Which aspect of your work is often overlooked ?

Actually the overall idea of the paintings showing the letters ATEM,

insofar as what makes the essence and underlying design-logic

of the letters is often not easily appreciated by the viewer.

 

>>> What comes next ?

Next to a lot of paintings to be painted? We’ll see.

 

>>> Any last remarks ?

Pieceout (pun intended) and have a good time

with the society of super-class-a-graffitists!

 

 

 

 

urbantactics

Link

website www.atemmeta.com

myspace www.myspace.com/atemmeta

 

 

 

 

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SINCE 2001